The Aspiring Actor’s Handbook – Good mentoring advice from performers who have succeeded – #bookreview

The Aspiring Actor’s Handbook

What Seasoned Actors Wish They Had Known
Molly Cheek and Debbie Zipp
(Betty Youngs Books - Kindle)

This is not–repeat, not–just another book on how to create a good headshot and resume to wave around so you can attempt to attract a Hollywood or New York talent agent.

The Aspiring Actor’s Handbook offers up information and advice that a number of now-successful actors wish they had received when they were first struggling to get started in Los Angeles or New York.

Molly Cheek and Debbie Zipp are both experienced actresses with considerable movie and television experience. They know the complicated insides of “the business,” and they have collected wit, wisdom and useful how-to advice from several other successful actresses, as well.

“We are the seasoned professionals who have experienced everything in this business except major stardom, and we are here to tell you (and your doubting loved ones) that there exists a wide middle ground between Starving Artist and Angelina Jolie,” the two authors state. “Yes, it IS possible to have a rewarding and balanced life as a working actor. You can make a very nice living wage and have a normal middle class life without anyone outside of the business knowing your name.”

They describe themselves and their book’s contributors as “people who have something realistic and constructive to share with you about becoming an actor. While we…refer to ourselves as actresses, the insights we share are universally applicable to all aspiring performers, male and female. We have been in your shoes and have made our living as actresses for over 30 years. There are tons of books, websites and blogs out there on the craft of acting, auditioning techniques, how to get ahead and the like, but there is so much more to know about creating and sustaining a full life as a working actress [or actor]. And who better to shed some light on this career than women who have lived it?”

Indeed, the personal how-I-made it tales from the authors and their contributors are both entertaining and instructive. Many of them arrived starry-eyed from small towns, ill-equipped or not adequately trained to try out for movie, television or theater careers. Yet they managed to persevere, through a combination of a combination of luck, bluster, faith in themselves, and fortuitous timing.

“When we look back over our careers, what we missed most was a mentor; someone to tell our 18-year-old selves just what we are going to tell you,” the two authors point out.

“Teachers, agents and coaches just aren’t enough to fully arm you to face the mighty challenges in front of you. You need encouragement and real-world perspective from women who have been there; women who came to an acting career from different parts of the country, from different backgrounds, with different stories who have one thing in common: their love for acting and their ability to have been able to make a livable wage in their chosen profession. The tips, advice, and personal stories we share with you are heart-felt and freely given out of love and respect for the pursuit of your dream. In that spirit, we share all that we know and what we wish we had known.”

Their book offers six chapters rich with “mentoring perspective,” covering such topics as the various “handlers” you will encounter (managers, agents, publicists, lawyers and others), sex in the workplace, managing your sporadic money, and maintaining personal integrity “in the great unknown of show business.”

The chapters are:

  •  Chapter 1: Your Strongest Asset: You
  •  Chapter 2: You, The Product
  •  Chapter 3: You, The Person
  •  Chapter 4: The Lows: Surviving the insecurities of show business and learning to separate performer from the person
  •  Chapter 5: The Highs: The importance and joys of the acting profession
  •  Chapter 6: Be Ready for Your “Break-Out” Moment

Los Angeles and New York remain America’s shining beacons of hope and challenge for young, ambitious performers seeking stardom. Yet those cities are not the only places, of course, where movie projects, theater productions, and television shows now seek talented performers and crew members. Much of the information in The Aspiring Actor’s Handbook can apply to your acting aspirations and acting career no matter where you live and perform.

– Si Dunn

2014 Poet’s Market – Yes, you can get published and maybe even make (very little) money – #poetry #bookreview

2014 Poet’s Market

Edited by Robert Lee Brewer
(Writer’s Digest Books – paperback, Kindle)

C’mon, admit it. You hated poetry in high school, and you seldom read it now. Yet, you sometimes find yourself moved to write a poem–or at least attempt to. And you wonder if the ones you actually finish are good enough to get published.

The 27th annual edition of Poet’s Market shows how and where you can submit poems for possible publication (and, much rarer, possible payment for your work). The sites listed include The New Yorker (“which receives approximately 4,000 submissions per month”) and The New England Review (which receives 3,000 to 4,000 poetry submissions per year and accepts about 70 to 80).

Hundreds of other printed and online publications are covered, along with their submission procedures and the types of poetry they are seeking. For example, at the online publication Necrology Shorts: Tales of Macabre and Horror: “We expect deranged, warped, twisted, strange, sadistic, and things that question sanity and reality.”

The 505-page 2014 Writer’s Market contains interviews with poets, a quick and helpful overview of poetic forms, plus 15 fine, well-displayed poems to keep you inspired and/or jealous. And the book contains solid information on how to promote yourself as a poet and give effective poetry readings.

If you are serious about writing poetry–and even if you choose to self-publish your works–you will find a rich array of how-to’s, hints, cautionary tales, marketing tips and other worthwhile resources in the 2014 Poet’s Market.

Si Dunn

Instant Handlebars.js – A short but effective how-to guide – #programming #bookreview

Instant Handlebars.js

Learn how to create and implement HTML templates into your projects using the Handlebars library
Gabriel Manricks
(Packt Publishing – e-book, paperback)

“Short, fast, and focused.” These are the three promises offered for Gabriel Manricks’ new book, Instant Handlebars.js, from Packt Publishing. And, at just 62 pages in print format, it lives up to those vows.

Manricks explains and demonstrates Handlebars using five well-structured sections. First, he introduces Handlebars.js and describes what a templating engine is and does. He notes that “[t]he purpose of using a templating engine such as Handlebars is to generate some kind of viewable content (usually HTML pages), dynamically.” He then shows how to download the Handlebars library and create a “Hello {{name}}” template and a simple helper.

His “Top 6 Features you need to know about” section goes to the heart of Handlebars.js and shows how you can organize large projects and pre-compile templates.

The Top 6 topics include: (1) Expressions—“the core of templates”; (2) Helpers—“[t]hese are where Handlebars gets its extendibility”; (3) Partials—“the building blocks of the template world” and important for modular design; (4) Structuring a Handlebars app—the pros and cons of various potential structures; (5) Pre-compilation—which can lead to “a more optimized and efficient site”; and (6) Logging and comments—“writing clear and debug-able templates and helpers, so you can easily test and maintain them in the future.”

In the book’s final section, “People and places you should get to know,” Manricks describes some individuals and websites you should follow so you can “stay up to date and dive deeper into the Handlebars community.”

Despite its small page count, the book contains numerous short code examples that show how to put Handlebars.js to work in HTML files.

You need at least some modest experience with JavaScript and HTML to get full benefit from this book. You also will make brief use of Node.js to install Handlebars.js.

If you have done any work with Ember.js, you already have picked up some Handlebars.js experience. However, even here, this short, handy guide can help you get a better understanding of how to use Handlebars, with or without Ember.

Instant Handlebars.js can be ordered in e-book or paperback format direct from Packt Publishing’s website. Or, the Kindle version and the paperback can be ordered via Amazon.

Si Dunn

Mastering the Fujifilm X-E1 and X-Pro1 – Are you ready for some RAW+JPEG? – #photography #bookreview

Mastering the Fujifilm X-E1 and X-Pro1

Rico Pfirstinger
(Rocky Nook – paperback, Kindle)

As a photographer, I enjoy reading other photographers’ first-person books–even when their books that happen to be how-to texts created to supplement and expand upon the lackluster user manuals typically shipped with new cameras.

Rico Pfirstinger’s latest book is a well-composed guide to learning how to use a new Fujifilm X-E1 or the similar X-Pro1. What are their key hardware differences? The X-Pro1 has a hybrid viewfinder that can show either an optical or electronic image, depending on your preference, and, also unlike the X-E1, the X-Pro1 does not have a built-in flash (which many pro photographers disdain anyway).

The two cameras’ “buttons, dials, menus, and connections” are given big labels and adequate illustrations and explanations, particularly if you are an intermediate, or better, photographer.

Once you get past the initial familiarization tour, Pfirstinger takes you into the process of using the features, picking settings, and dealing with many of the finer points, including how to shoot panoramas and double exposures.

There is one surprise you may not have encountered with some other digital SLR cameras: the ability to do firmware updates. “The X-Pro1 and X-E1 are novel cameras in many ways, and they also exhibit a few quirks,” the author notes. He describes how to determine which firmware version is installed in your camera. Then he outlines how to download newer firmware from a Fujifilm website to your personal computer. From there, you move the newer firmware onto an SD card that first has been formatted in your camera. Then you must carefully follow some steps after the SD card is re-installed in your camera. Once the firmware has been updated, you may also need to follow Pfirstinger’s steps for resetting the frame counter.

The book contains numerous photos by Pfirstinger and some fellow professional photographers, along with information regarding camera and ISO settings, lenses used, and other details relevant to how the images were obtained and processed.

Pfirstinger is a strong advocate for the Fujifilm cameras’ RAW features. “If you spend time in online photography forums,” he explains, “you’ll discover that there’s hardly a debate that generates more controversy and discussion than the question of whether it’s better to shoot in RAW or JPEG format. Since this back-and-forth has been raging for years already, you can assume that there’s no right answer.”

But what the Fujifilm X-Pro1 and X-E1 cameras (and some other camera brands) offer are settings that enable you to shoot and save in RAW and JPEG at the same time. “Today the RAW file is the digital equivalent of the negative, and a JPEG file is the digital counterpart of a photographic print. This means there are many different possibilities for interpreting a RAW file and ‘developing’ a JPEG from it.”

If you choose to not save RAW files, he contends, you are choosing to “reduce your X-E1 or X-Pro1 to a sort of instant camera….” In other words, you get one JPEG from a shot, and that’s it.  Of course, you can make many copies of that JPEG and edit them in many different ways. But his point is that RAW format lets you focus on composition, focus and exposure and gives you numerous digital post-processing capabilities that you can work with later, “when  you have time to sit in front of a larger monitor to evaluate your images….”

Rico Pfirstinger has a very diverse background as a writer and photographer. According to his website “Fuji Rumors”:

“Rico Pfirstinger studied communications and has been working as journalist, publicist, and photographer since the mid-80s. He has written a number of books on topics as diverse as Adobe PageMaker and sled dogs, and produced a beautiful book of photographs titled Huskies in Action (German version). He has spent time working as the head of a department with the German Burda-Publishing Company and served as chief editor for a winter sports website. After eight years as a freelance film critic and entertainment writer in Los Angeles, Rico now lives in Germany and devotes his time to digital photography and compact camera systems.”

Pfirstinger’s new book includes a chapter on how to connect and use third-party lenses that have appropriate X-mount adapters. It’s not simply a matter of attaching the lenses and firing away. You have to change several menu settings to ensure that a lens is recognized and that the exposure,  focus and certain other features work properly.

Si Dunn

Scaling Big Data with Hadoop and Solr – A new how-to guide – #bigdata #java #bookreview

Scaling Big Data with Hadoop and Solr

Learn new ways to build efficient, high performance enterprise search repositories for Big Data using Hadoop and Solr
Hrishikesh Karambelkar
(Packt – paperback, Kindle)

This well-presented, step-by-step guide shows how to use Apache Hadoop and Apache Solr to work with Big Data.  Author and software architect Hrishikesh Karambelkar does a good job of explaining Hadoop and Solr, and he illustrates how they can work together to tackle Big Data enterprise search projects.

“Google faced the problem of storing and processing big data, and they came up with the MapReduce approach, which is basically a divide-and-conquer strategy for distributed data processing,” Karambelkar notes. “MapReduce is widely accepted by many organizations to run their Big Data computations. Apache Hadoop is the most popular open source Apache licensed implementation of MapReduce….Apache Hadoop enables distributed processing of large datasets across a commodity of clustered servers. It is designed to scale up from single server to thousands of commodity hardware machines, each offering partial computational units and data storage.”

Meanwhile, Karambelkar adds, “Apache Solr is an open source enterprise search application which provides user abilities to search structured as well as unstructured data across the organization.”

His book (128 pages in print format) is structured with five chapters and three appendices:

  • Chapter 1: Processing Big Data Using Hadoop MapReduce
  • Chapter 2: Understanding Solr
  • Chapter 3: Making Big Data Work for Hadoop and Solr
  • Chapter 4: Using Big Data to Build Your Large Indexing
  • Chapter 5: Improving Performance of Search while Scaling with Big Data
  • Appendix A: Use Cases for Big Data Search
  • Appendix B: Creating Enterprise Search Using Apache Solr
  • Appendix C: Sample MapReduce Programs to Build the Solr Indexes

Where the book falls short (and I have noted this about many works by computer-book publishers) is that the author simply assumes everything will go well during the process of downloading and setting up the software–and gives almost no troubleshooting hints. This can happen with books written by software experts that are also are reviewed by software experts. Their systems likely are already optimized and may not throw the error messages that less-experienced users may encounter.

For example, the author states: “Installing Hadoop is a straightforward job with a default setup….” Unfortunately, there are many “flavors” and configurations of Linux running in the world. And Google searches can turn up a variety of problems others have encountered when installing, configuring and running Hadoop.  Getting Solr installed and running likewise is not a simple process for everyone.

If you are ready to plunge in and start dealing with Big Data, Scaling Big Data with Hadoop and Solr definitely can give you some well-focused and important information.  But heed the “Who this book is for” statement on page 2: “This book is primarily aimed at Java programmers, who wish to extend Hadoop platform to make it run as an enterprise search without prior knowledge of Apache Hadoop and Solr.”

And don’t surprised if you have to seek additional how-to details and troubleshooting information from websites and other books, as well as from co-workers and friends who may know Linux, Java and NoSQL databases better than you do (whether you want to admit it or not).

Si Dunn

Mastering the Nikon D7100 – Another fine how-to from ‘Digital Darrell’ – #photography #bookreview

Mastering the Nikon D7100

Darrell Young
(Rocky Nook Press – paperback, Kindle)

I love Nikon cameras, and I love the high-quality Nikon how-to books that Darrell Young–”Digital Darrell”–writes for Rocky Nook Press and Nikonians Press.

One of the reasons I like Digital Darrell’s works is that he used to be a 35mm film photographer and understands the shock and awe of making the awkward transition from film and wet chemicals to digital imagery.

Years ago, when I worked as a photographer for newspapers, I charged into action carrying up to four black-body Nikons, each with a different Nikkor lens and some with bulky motor drives. Every camera was freshly loaded with 35mm film, typically Kodak Tri-X. And I tried to have at least 20 spare rolls of film in my jacket pockets or taped, in little film cans, to some of the carrying straps that crisscrossed my body (and frequently got tangled up as I quickly let go of, say, a Nikon with a 24mm lens and grabbed a Nikon with a 300mm lens and motor drive).

When covering fast-moving news events, there was no time to swap lenses. There also was no excuse for running out of film. And you had to know your cameras well enough that you could roughly set the focus, count f-stops and shutter speed clicks, cock the shutter and verify your flash synchronization setting by feel, all while jogging to the next vantage point to photograph the President of the United States or an angry protest march or fire crews fighting a big pipeline blaze.

After I left the news business and sold off most of my film cameras, I eventually and reluctantly made the move to digital cameras–black-bodied Nikons, of course. And my initial reaction to what I saw through the viewfinders and on the camera bodies and lenses themselves was a mixture of confusion, depression and anger. The most polite translation of my thoughts was: “What the &%$#@ is all of this &^%#>!!!???” I was ready to throw the cameras against the nearest wall and go back to a future where film was still king.

With a Digital Darrell book, you typically don’t have to think “&^%#>!!!???,” etc. You just look in the table of contents or index, turn to a specific section, and get a clear explanation of a feature and its menu options, plus setting recommendations drawn from Darrell Young’s extensive hands-on experience.

Mastering the Nikon D7100 is a well-written and nicely illustrated guide to this “new flagship DX camera” and its many features and wide ranges of settings.

“The D7100,” Young writes, “has everything an enthusiast photographer needs to bring home incredibly good images, without jumping through hoops. The massive resolution of the 24-megapixel (MP) sensor, with a wide dynamic range and no anti-aliasing (AA or blur) filter, make the D7100 one of the world’s best DX cameras for advanced enthusiast photographers.”

Young continues: “The image is what counts, and the Nikon D7100 can deliver some of the highest-quality images out there. It’s a robust camera body designed to last.”

His new how-to guide (a hefty 539 pages in print format) is structured with 13 well-focused chapters:

  • Basic Camera Setup
  • Playback Menu
  • Shooting Menu
  • Custom Setting Menu
  • Setup Menu
  • Retouch Menu
  • My Menu and Recent Settings
  • Metering, Exposure Modes, and Histogram
  • White Balance
  • Autofocus, AF-Area, and Release Modes
  • Live View Photography
  • Movie Live View
  • Speedlight Flash

Photography beginners take note: For the most part, this is not a guide that shows how to compose better pictures of people, clouds, seascapes or wild animals. There are a few fine photographs positioned at the opening of each chapter. And notes about the images and who took them are presented at the back of the book. But the major emphasis in Mastering the Nikon D7100 is on exactly what the title says — understanding the new camera’s amazing array of features and choosing good menu settings when using them.

Si Dunn

Beautiful LEGO – Photos and insights from some of the LEGO world’s top artists – #bookreview

Beautiful LEGO

Mike Doyle
(No Starch Press – paperback, Kindle)

Wow! That’s one of the best words to describe the snap-together works of art that can be created using LEGO plastic bricks. Mike Doyle’s excellent new LEGO art book offers some 400 color pictures of everything from a rotary-dial telephone to a Thanksgiving turkey, plus robots, space weapons and a magnificent, futuristic city, constructed by some of the world’s top artists in the LEGO building community. (LEGO®, incidentally, is a trademark of the LEGO Group.)

In his book, Doyle asks several of his fellow artists a key question–Why LEGO?–and gets an intriguing array of answers and insights to accompany the photographs of their creations. Doyle himself says: “It is a medium that offers instant gratification. No matter how large a project is, at the end of the day, I can look at the section I’ve built in its finished state. LEGO is a one-step process; there’s no gluey mess, sanding, or painting to worry about. I just build. This gives me the opportunity, after each session, to assess visually how the piece is working as a whole.”

His book’s eye-catching cover shows a six-foot-tall model titled “Contact,” a movie-like cityscape that took Doyle some 600 hours and 200,000 LEGO bricks to assemble.

Another artist, Arthur Gugick, explains how he constructs LEGO models of landmark buildings such as Big Ben, the Taj Mahal, Angkor Wat and Notre Dame, after determining the proper scale for each structure. “It often depends upon the scale of a particular element,” he says. “The White House’s scale depended on the scale of the windows. Notre Dame’s scale depended on the scale of the buttresses.” Gugick sometimes has to resort to mathematics and even to writing software while creating his models. “The Roman Coliseum is an ellipse with a width-to-length ratio of 6:7. There is no formula for the circumference of an ellipse like there is for a circle,” he notes. “To find the circumference, I use the arc length formula from calculus. The Dome of the Rock,” he adds, “required a bit of trigonometry. To build the dome accurately, I wrote some software that easily allowed me to build any dome shape.”

Beautiful LEGO is, indeed, a beautiful book, one that will give fans of the plastic bricks many ideas for future projects–and no doubt a few bouts of artistic envy to accompany the inspirations.

Si Dunn

BOOK BRIEFS: Movie Stunts, Famous Bandits and a World War I Regiment – #bookreview

Cowboy Stuntman

From Olympic Gold to the Silver Screen
Dean Smith with Mike Cox
(Texas Tech University Press – hardback, Kindle)

Dean Smith won an Olympic gold medal in the 400-meter relays at the 1952 Olympics in Helsinki, Finland. Then the 20-year-old returned home to Northwest Texas, where he had been a rodeo cowboy. Later, he dropped out of the University of Texas at Austin, spent time in the Army and briefly played professional football with the Los Angeles Rams. But he dreamed of working in Western movies. He finally got his break in 1957, in Dallas. He met up with a friend from Oklahoma whom he had known as Jim Bumgarner. Bumgarner now called himself James Garner, and he was the star of a new TV show, “Maverick.” Garner got Smith into the Hollywood movie and TV stunt business. More than 50 years later, Smith’s entertaining memoir covers not only his rural Texas years but his long career “doubling” in risky action scenes for some of Hollywood’s biggest names, including Roy Rogers, Robert Redford, and even Maureen O’Hara.

***

Butch Cassidy: The Lost Years

William W. Johnstone with J.A. Johnstone
(Kensington Books – hardback, Kindle)

Butch Cassidy and the Sundance Kid most likely are dead — very dead — by now. But rumors persist that the two famous bandits survived a shootout with Bolivian soldiers after they stole a Bolivian silver mine’s payroll in 1908. Then they escaped back to America and disappeared. Prolific author William W. Johnstone has taken those rumors one step further and created a clever, pleasant novel set in 1950. It features a dedicated young Pinkerton detective who happens to be the son and grandson of Pinkerton agents who tried and failed to track down the famed bandits. But the book’s key character is an 85-year-old West Texas rancher who can spin a very good tale–and who might be, or may not be, be Cassidy himself.

***

They Called Them Soldier Boys

A Texas Infantry Regiment in World War I
Gregory W. Ball
(University of North Texas Press – hardback)

Historian Gregory W. Ball’s new book is a well-written study of the 7th Texas Infantry Regiment, its combat experiences in France in World War I, and what happened to many of its soldiers after they returned home to Texas n 1919. One of the Texas National Guard regiments that made up the U.S. Army’s 36th Infantry Division, the 7th Texas  took part in some of World War I’s biggest battles. “What those soldiers experienced, what they felt, and how they expressed themselves to their loved ones back home,” Ball writes, “is important to the history of World War I and of Texas, as their experiences form an important, albeit neglected, part of the Texas military experience.”

Si Dunn

Testing Cloud Services – How to Test SaaS, PaaS and IaaS – #cloud #bookreview

Testing Cloud Services

How to Test SaaS, PaaS & IaaS
Kees Blokland, Jeroen Mengerink and Martin Pol
(Rocky Nook – paperback, Kindle)

Cloud computing now affects almost all of us, at least indirectly. But some of us have to deal directly with one or more “clouds” on a regular basis. We select or implement particular cloud services for our employers or for our own businesses. Or, we have to maintain those services and fix any problems encountered by co-workers or employees.

Testing Cloud Services, written by three well-experienced test specialists, emphasizes that the time to begin testing SaaS (Software as a Service), PaaS (Platform as a Service), or IaaS (Infrastructure as a Service) is not after you have made your selections. You should begin testing them during the selection and installation processes and keep testing them regularly once they are live.

“Cloud computing not only poses challenges for testing, it also provides interesting new testing options,” the authors note. “For example, cloud computing can be used for test environments or test tools. It can also mean that all test activities and the test organization as a whole are brought to the cloud. This will be called Testing as a Service.”

Their well-written, six-chapter book deals with numerous topics related to using and testing cloud services, including the role of the test manager, identifying the risks of cloud computing and testing those risks, and picking the right test measures for the chosen services.

In Chapter 5, a significant portion of the book is devoted both to test measures and test management. “Testing SaaS is very different from testing PaaS or IaaS,” the writers state. Much of the lengthy chapter focuses on SaaS, but it also addresses PaaS and IaaS, and the authors describe the following test measures:

  • Testing during selection of cloud services
  • Testing performance
  • Testing security
  • Testing for manageability
  • Testing availability/continuity
  • Testing functionality
  • Testing migrations
  • Testing due to legislation and regulations
  • Testing in production

Particularly if you are a newcomer to choosing, testing, and maintaining cloud services, this book can be an informative and helpful how-to guide.

Si Dunn

Canon EOS 6D – A menu-oriented how-to guide for a feature-rich DSLR camera – #photography #bookreview

Canon EOS 6D

The Guide to Understanding and Using Your Camera
James Johnson
(Rocky Nook – paperback, Kindle)

This definitely is not another “how to take great digital photographs” guide. Yet, you will be able to take better pictures if you pay attention to the author’s explanations, recommendations and experiences in this 263-page how-to manual.

As the subtitle states, James Johnson’s new Canon EOS 6D book shows how to understand and use your camera by getting comfortable with the EOS 6D’s many menu settings, feature options and accessories.

The Canon EOS 6D is a new addition to Canon’s line of full-frame DSLR cameras. It shoots digital images and digital video, and it has built-in Wi-Fi and GPS. You also can connect it to a TV screen using an HDMI cable.

The text is well written, and the book is adequately illustrated with menu screenshots and other graphics. And the author doesn’t pull many punches when he describes a feature he thinks is hard to use or doesn’t quite live up to its marketing hype from Canon. For example, he’s no big fan of the new GPS feature. “[I]t’s not a strong performer; satellite signals are lost quite easily,”  he writes. And: “I find that by simply rotating the camera on the tripod, I can induce an error of 100 to 300 feet in surface measure, or 50 to 80 feet in elevation.” But not everyone needs great accuracy when using the GPS feature, he concedes. “With the GPS feature enabled…the EOS 6D will record GPS data (surface coordinates, elevation, UTC time and date) along with each photo.” And the data will stay with the images when they are transferred to a computer. The internal GPS “can also log locations, totally separate from photo-recording” for a time period set in a menu option.

The Wi-Fi feature generally works well, he notes, and he explains how to use it. But “[t]he Wi-Fi data transfer speed is slower than the USB cable transfer speed, so you will see some delay, and probably some jerkiness in moving objects, in the Live View display on your computer screen.” On the plus side, he adds: “In my own environment, I can reliably maintain a Wi-Fi connection up to 75 feet (I have not tested beyond that), and from that 75-foot distance I can shut off the camera and have the Wi-Fi connection automatically restored when I power on the camera.”

The EOS 6D camera package is offered in two versions, the body-only package, and the body and lens kit, which includes Canon’s EF 24-105mm f/4L IS USM lens. Johnson calls it “a very good general-purpose lens” but says little else about lenses in his book. The focus remains on the camera body, its accessories and options, and using the EOS 6D’s extensive array of menu choices to support whatever lenses you choose.

Essentially, Johnson covers all features great and small, right down to the eyepiece cover. “Many Canon owners are not aware that this piece exists,” he points out. “Its purpose is to completely block ambient light from entering the viewfinder’s eyepiece. This is useful if you’re capturing an image when you don’t have your eye at the viewfinder.” For example, you may be taking a long-exposure shot or using remote tripping to take a picture while you are a safe distance from the camera. Cautions the author: “Ambient light entering through the viewfinder can influence exposure metering, resulting in underexposed photos.”

Many DSLR cameras are equipped with tiny pop-up flash units that some photographers like and others consider as insults to their photo-lighting skills. The EOS 6D does not have an internal flash unit. But: “Canon designs, builds, sells, and supports a line of electronic flash units under the name Speedlite. These units represent a broad spectrum of power and capabilities,” Johnson states. And: “I won’t pretend to address the choice of a Speedlite, but will cover what the EOS 6D can do to communicate with and control an external flash, or a flash commander, mounted in the camera’s hotshoe. A flash commander is capable of managing several remote flash units, configured in numerous ways.”

Of course, you can’t really discuss flash settings without using some kind of flash unit to help activate the camera’s menu settings. Johnson uses the new Canon 600EX-RT Speedlite in his descriptions and cautions readers that “[i]f I cover a feature in this section that does not appear on your flash unit, don’t get frustrated trying to find it. However, you may want to evaluate the feature and determine whether you really can live without it.”

From hooking up the camera’s wide carrying strap to cleaning the sensor, managing folders on the memory card, and plugging in an external microphone, this book offers solid how-to guidance for photographers with intermediate-level experience using DSLRs.

Canon EOS 6D: The Guide to Understanding and Using Your Camera can help you master the features you need and want to use and introduce you to new capabilities that can bring you even greater satisfaction with your photography.

Si Dunn