Enemies at Home
A Flavia Albia Novel
Can a 29-year-old widow make it as a private detective in first century A.D. Rome?
Flavia Albia has some friends in semi-high places. And she has one very important family connection: She is the adopted daughter of Marcus Didius Falco, one of Rome’s best-known “private informers,” the ancient equivalent of a modern private eye.
Flavia has taken over her father’s office, and she keeps needing new cases. But in the private informer business, it’s “no win, no pay.” So, she is always on the lookout for a case she can both win and profit from, in a legal system where women have no rights in matters of law and where she must compete with male private informers who do have rights.
Unfortunately, the case that suddenly lands in Flavia’s lap in Enemies at Home does not seem to hold much promise:
“Even before I started, I knew I should say no,” Flavia states at the book’s beginning.“There are rules for private informers accepting a new case. Never take on clients who cannot pay you. Never do favors for friends. Don’t work with relatives, Think carefully about legal work. If, like me, you are a woman, keep clear of men you find attractive. The Aviola inquiry broke every one of those rules, not the least because the clients had no money, yet I took it on. Will I never learn?”
Not yet. She meets up with a magistrate, an aedile, named Tiberius Manlius Faustus, with whom she has worked before and finds attractive. (Can “Manlius” be viewed as a Latinized pun on “manly”? Yep.) Faustus has just been assigned to deal with a very complicated case within his jurisdiction, and he needs Flavia’s help to try to sort things out.
A man and his wife have been brutally murdered and robbed, apparently by intruders, and the couples’ slaves have fled to the Temple of Ceres, desperately hoping to get asylum so they can save their lives.
“The slaves got wind of their plight,” Flavia informs us. “They knew the notorious Roman law when a head of household was murdered at home. By instinct the authorities went after the wife, but that was no use if she was dead too. So unless the dead man had another obvious enemy, his slaves fell under suspicion. Whether guilty or not, they were put to death. All of them.”
Flavia’s task, of course, is to attempt to help exonerate the slaves. But Roman law literally is a vicious beast, sometimes. Criminals and those merely suspected of a crime can be thrown to the lions or sewn into large bags along with dangerous animals and dropped into the sea. And that’s just two of the many ways capital punishment can be meted out in the Roman Empire.
Flavia is the slaves’ only hope. And she is armed with nothing but curiosity, questions and bluster, plus some occasional help from the aedile, Manlius Faustus, as she goes where no woman typically has gone before, at least in recent years, in Roman society.
Enemies at Home features a very big cast of characters (spanning two pages at the front of the book). And it is somewhat easy to grow confused by (and a bit wearied of) virtually every male name ending in “-us” and almost every female name ending in “-a.”
For the most part, however, this second Flavia Albia novel is fun and informative reading. Lindsey Davis is a master at moving her characters about in ancient Roman settings. She keeps them both human and limited by the pace, technology, laws and social mores of the Roman Empire (during the reign of the allegedly paranoid emperor, Domitian). Her dialogue often is wickedly sharp and funny, and, except for an occasional Latin word here and there, no effort is made to have the characters speak in any tongue other than modern lingo.
If you have been hoping Falco will reappear and have a cameo role in this new book, be prepared to wait for the next novel in the series and see if he shows up there. Flavia Albia is now her own woman. She emerges strongly from her father’s shadow in Enemies at Home and demonstrates why she also deserves to be known as one of the very best public informers in first-century Rome.
— Si Dunn