Written in the style and language of a 19th-century novel, The Silver Lotus is a grand, sweeping, absorbing tale of Pacific seafaring, romance, family, and business and cultural interactions that ultimately help spur the growth and development of the Northern California coast.
This elegant work of historical fiction has surprisingly little dialogue. Its author, Thomas Steinbeck, son of the great novelist John Steinbeck, relies, instead, on heavy doses of exposition. Yet The Silver Lotus remains an engrossing, well-written story throughout. And it is a refreshing change from books full of fast and furious action and characters who engage in taut exchanges of clever words, while revealing little about their feelings, emotions or sense of place.
Thomas Steinbeck’s novel begins in Canton, China, the late 1890s, in the home of Master Chu-Woo Yee, a man of “high moral principles.” He also is a successful grain merchant with profitable experience in “a great many [other] varieties of exported and imported goods.”
Master Yee allows very few foreigners into his home. But one of them fascinates and intrigues him: Captain Jeremiah Macy Hammond, “one of the last of a long line of the great Nantucket seamen.”
Steamships now have begun to dominate cross-ocean trade. Yet Captain Hammond continues to transport his cargoes under sail, for a very practical reason: profit. He has amassed a small fleet of schooners that can carry large cargoes while sailing inexpensively with only a few crewmen.
When political turmoil suddenly erupts in China, Captain Hammond uses two of his ships to help to move Master Yee, his family, and the Yee fortune to safety in Singapore. Soon, Captain Hammond and Master Yee’s beloved daughter, Silver Lotus, are in love, and Master Yee is in no position to refuse their marriage.
Lady Yee, as Silver Lotus is known, is a remarkable woman with many talents and interests, as well as uncommon beauty. Before their marriage, she informs Captain Hammond that if he chooses to go back to sea, she will “sail with him, and make her life and home by his side.”
In her honor, Captain Hammond repaints his newest ship his wife’s favorite colors, emerald green with yellow trim outlined in black, and rechristens it “The Silver Lotus.” And Lady Yee proves very adept at living at sea beside her husband. She takes “total interest in everything to do with her namesake, her crew, and her cargo.”
Despite its calm narrative and languid pace, Steinbeck’s book has plenty of action and tensions. There are encounters with pirates, sea storms, illnesses, racism, drug abuse, great wealth, and death. There also are dangerous rescues and glimpses into the intricacies and risks of seafaring commerce, as well as clashes over medical and immigration practices in early 20th-century California.
At one level, The Silver Lotus is simply old-fashioned, entertaining historical fiction, enjoyable to read. On another level, however, Thomas Steinbeck’s second novel is a modern, intelligent reflection on how the melding of cultures, talents, dreams and resources has been a driving force behind the growth and prosperity of Northern California, as well as the rest of the United States.
— Si Dunn