By day, Dominic is a tough prosecutor working in a Texas district attorney’s office. That means he can carry a badge and a gun when he’s not in court getting convictions. By night, he is guitar player and singer with a British accent who is trying to make it big in the highly competitive live-music scene in Austin, Texas. Day and night, however, Dominic is something else entirely: a hidden sociopath who wants to commit a crime.
In Hollow Man, driven in part by several sudden and upsetting changes in his life, Dominic finally decides to take that plunge, setting up what he thinks will be a simple heist that will net a lot of cash. But first, for practice, he needs to break into a pub.
“I wanted to practice,” he says in the book. “I couldn’t do a run-through of the theft itself. It had too many moving parts and also was a matter of planning, not practice. No, I wanted to test myself so I’d know how it felt to be a criminal. After so many years of resisting that very temptation, I needed to break the seal, give up my virginity, phrase it how you will.”
But the break-in goes awry, and so does the supposedly well-planned heist. Indeed, it turns into capital murder. And what happens next becomes a chilling, engrossing journey into the mind of a man whose “fear response is almost zero. If someone close to me is in danger, or even if I am, it’s as stressful as a game of chess.”
In Mark Pryor’s new standalone psychological thriller, the danger and tension just keep rising. And Hollow Man‘s ending is both a masterful and shocking surprise.
— Si Dunn