The Milli Vanilli Condition
Essays on Culture in the New Millennium
Arté Publico – paperback
“When we see Justin Bieber, we do not see a person. We see a haircut,” says Uruguayan poet and writer Eduardo Espina in this insightful and entertaining collection of 13 essays that delve into various aspects of pretending, faking, plagiarizing and even committing serial falsification of events, credentials or objects.
“The same [haircut] thing happens when we come across photographs of Cristiano Ronaldo and Gareth Bale, two of the best paid and most famous soccer players in the world. Or the unmistakable image of North Korea’s supreme leader, Kim Jong-un, whose haircut completely characterizes the isolated nation and its ideology, at least regarding its male population.”
With the right haircut, Espina contends, you can fake inclusion in, or affiliation with, a certain trend or movement in society and even get others to follow you.
The Milli Vanilli Condition gets its title from the infamous German pop duo that won a 1990 Grammy for “Best New Artist” and had it taken away a few months later after investigative reporter Charles Alan “Chuck” Phillips uncovered that the two singers merely had lip-synched their song. Other vocalists had recorded the lead tracks.
Eduardo Espina, author of numerous other books, now lives in College Station, Texas. With help from the book’s English translator, Travis Sorenson, Espina brings a refreshing South American and particularly Uruguayan perspective to his observations of modern-day life in the United States and elsewhere and the apparently fading consequences for pretending to be someone or something you are not.
— Si Dunn