Woman with a Blue Pencil
What if the characters in a mystery novel are alive in some other universe, and their world keeps changing, because their book, unknown to them, is being edited and rewritten?
And what if one of those characters is trying to solve a murder, but almost everything he knows or remembers, in his version of 1941 Los Angeles, keeps changing or vanishing? What if the people to whom he has been close suddenly cease to exist or no longer know who he is?
Woman with a Blue Pencil is well-written and cleverly structured. It can make you laugh with pleasure when you realize how the story will unfold along two tracks. And you can get engrossed in the actions and motivations of both main characters as their separate tracks begin to merge, and they come into conflict.
This is an intelligent murder mystery with a heart, a message and a poignant, surprise ending. It is set just before and after the Pearl Harbor attack and its aftermath, including the now roundly condemned, racism-driven mass roundup and internment of Japanese-American citizens living on the U.S. West Coast.
Behind the two tracks of story in this tale is an ambitious young Nisei (first-generation Japanese-American) writer who has been trying to get his first novel published. Now, suddenly, he has been relocated to one of the internment camps. And the woman with the blue pencil is his book editor in New York. She keeps trying to help him come up with a new plot that replaces his now-unsalable Japanese protagonist with a Korean-American one, plus create a strong, Western-sounding pseudonym that the author can hide behind once his book goes to market in World War II America.
One word sums up this novel-within-novel: Brilliant.
— Si Dunn